FSF, March-April 2010 Read online

  "Nozaki,” Wolverton said, knowing that if he didn't say it now he never would. “I love you."

  "Well, I love you, too, Wolverton,” she said, smiling. “After what we've been through, how could I not love you?"

  Wolverton wasn't sure she meant it in quite the same way he did, but it would have to do for now. He was still thinking about what she'd said when the lights of base camp came into sight.

  It was good to be home.

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  Short Story: MAKE-BELIEVE by Michael Reaves

  Michael Reaves says that this story happened exactly as he depicts it here, except for the parts that he made up.

  I am a very lucky man. The reason for my saying this is obvious: I'm standing before you, accepting this award for Outstanding Alumnus. But the reason behind the reason is that I became what I wanted to be.

  I'm lucky because, for as far back as I can remember, I've wanted to be a writer. Ever since I was a kid, five years old, sitting down in front of our new black-and-white TV to watch The Adventures of Superman. I was hooked the first time I saw George Reeves leap into the air and fly. Actually, he was lying on a board in front of a cyclorama screen with a wind machine blowing his hair and cape, but I didn't know that at the time, of course. I do remember wondering even back then, however, why he always leveled off at a cruising altitude of 30,000 feet even when he was just going a couple of city blocks away.

  I'm not what you would call a mainstream writer. I have an unabashed preference for genre fiction—specifically, horror. And, like most horror writers, I've drawn most of my stories from childhood fears and experiences. I grew up in this town—you wouldn't think a place on the edge of the desert would be particularly spooky or atmospheric, but you'd be wrong. The desert can be a terrifying place.

  If you'll indulge me, I'd like to tell you about one of those childhood experiences. Oddly enough, I've never written about it, or even spoken of it, before now. I'm not sure why. Perhaps my reasons will become clear—to me as well as you—during the telling. After all, good fiction is supposed to illuminate as well as entertain, isn't it?

  I was seven years old, and this took place in 1955. It is probably impossible to convey to you all how totally different a time it was. It was, first and foremost, a much simpler time. You all have console games that tremble on the edge of virtual reality; we had Winky Dink. You have cell phones that can video and text and Twitter; we had party lines. And, of course, you have computers capable of processing gigabytes that you can hold in one hand, and we had UNIVAC.

  But it wasn't just the technology that was simpler. It was a more trusting time. Back then, parents thought nothing of letting their kids roam all over the neighborhood, as long as they were home in time for dinner. Somehow or other, adults back then were much better at protecting the young from fearful realities. It's true that we were aware of those realities—ever hear of “duck and cover"? But kids were allowed to be kids back then. They weren't exposed to the rampant cynicism and smut that you all imbibed along with your baby food. Don't get me started.

  It was spring, I remember, around the end of April or the beginning of May—you'd think that, considering what happened, the date would be burned into my memory. It had to have been a Saturday, because school wasn't out yet. I was playing with a couple of friends—Tom Harper and Malcolm James. We'd gone up into the hills a few blocks from my house to play cowboys and Indians. We were armed and ready for trouble.

  When I say “armed,” I mean something different than what the word might connote today. I was carrying my trusty McRepeater Rifle, which made a very satisfactory bang when the wheel atop the stock was turned. Tom had a deadly Daisy 1101 Thunderbird, and in addition was packing twin cap pistols. And Malcolm...well, Malcolm was carrying his Johnny Eagle Magumba Big Game Rifle, which he'd insisted on bringing even though he had a perfectly good Fanner 50 cap gun back in his bedroom. Some people just won't get with the program.

  We were hunting Indians, or, as we called them, “Injuns.” The term “political correctness,” let alone the concept, wasn't exactly widespread back then. It was the middle of the afternoon and, though it was early in the year, it was already hot enough to raise shimmers of heat waves from the dirt road. The hills were still green, but you could see that slowly the vegetation was dying. Another month, and brown would be the dominant color, announcing the beginning of the fire season.

  For now, however, it was still pleasant, or as pleasant as those hills ever became. We were walking cautiously through the Badlands of our fantasy, alert for the slightest sound that might betray an Apache ambush. This was more difficult than it might seem, because every few minutes Malcolm would drop into a crouch and spin around, spraying the mesquite with imaginary bullets and going “Kachow!! Kachow!!” Tom Harper finally grew tired of this, and demanded to know how we were going to get the drop on the bad guys with Malcolm constantly announcing our presence to everyone in the county. To which Malcolm replied that it was only make believe, and that the most we might hope to flush from the underbrush was a rabbit or coyote.

  We knew that, of course. We all knew that. It's important to keep this in mind.

  "Knock it off,” Tom finally said, exasperated, “or I'll drop-kick your ass into next week."

  That got the desired result. Tom Harper's right leg ended in a stump just above the knee—legacy of a car accident. He wore a prosthetic, a hinged contraption made of wood, metal and plastic, and when he ran, he used a sort of half-skip in his locomotion which the rest of us found very amusing. We were careful not to show it, however, because Tom could turn that half-skip into a devastating kick that could easily deliver the recipient as far up the calendar as Tom wanted. Malcolm said nothing more that in any way damaged the fantasy gemütlichkeit we had constructed. And again, it's important to remember that we knew what we were doing.

  Malcolm was going on eight, with a seborrheic head of densely black hair and horn-rimmed glasses the exact same shade. He was built like a concentration camp inmate, all sharp, acute angles, with an Adam's apple that leapt about like the bouncing ball in a Fleischer sing-along cartoon. Not surprisingly, he had few friends. Tom had just turned eight; he was handsome, if somewhat bland in appearance, and looked like a future gridiron star—until he began to walk or run with that characteristic hitching limp. I remember once, when we were both younger and I was at his sixth birthday party, seeing his father's eyes fill with tears as he watched his son skip-run across the back yard.

  We knew what we were doing. It was play, make-believe. Nothing more.

  We were wandering along a dirt road, not far from the ranger station. The shadows were starting to grow longer, and the light more sanguine, as the sun neared the smoggy horizon. “We should maybe turn around,” Malcolm said. “We're gettin’ too near the cave."

  There was no need to stipulate which cave. There was only one in the area—Arrowhead Cave, so named because of the dozens of chipped flint relics found there over the years. It was a tectonic cave, not one formed by gradual erosion. It had come into being thousands of years ago, when an earthquake had shattered a sandstone outcrop and deposited the fragments at the bottom of a ravine. Over the centuries talus and dirt had covered it, and eventually solidified into a roof. It hadn't been a particularly impressive cave, according to rumor, but it had served the local Indians well as shelter for centuries before the valley was settled. It was even less impressive now, after the tragedy of 1938, when four young boys—out, like us, for play—had become lost in the cave.

  I never did learn the specifics of the story—when I was a child, the adults had been very tight-lipped about it, even almost two decades later. All I knew—all any kid knew—was that the four boys had died in Arrowhead Cave. A few days later the City Council, acting with an alacrity hard to believe for anyone familiar with local government, had authorized several construction workers to blow up the cave's entrance with dynamite, clo
sing it for good.

  Tom and I looked at each other after Malcolm's statement. Neither of us wanted to be thought cowardly. On the other hand, neither of us particularly wanted to get any closer to Arrowhead Cave, as it was supposedly haunted. There had been another minor temblor last week as well, and none of us relished the thought of being near the cave, or—worse—in it, should another quake hit.

  As the three of us stood there, momentarily paralyzed by indecision, we—or I, at least—became aware of just how quiet it was. I know it's a cliché—I knew it even back then—to speak of an ominous, brooding silence holding dominion over the scene. How many times had I lain on the threadbare rug in our living room, chin cupped in my hands, staring at a black-and-white image of somebody wearing a pith helmet, standing in front of a sarcophagus and saying grimly, “It's quiet—too quiet"? Usually this particular trope was immediately followed by the hero being seized around the throat and throttled by an ancient hand wrapped in dry, dusty cerements.

  Still, cliché or no, I could suddenly feel my heart pounding. The light had taken on a shimmering, glassine quality, and the air seemed dead. It was impossible to get a lungful, no matter how deeply I breathed. There was no nourishment to it.

  It would be easy, I suppose, to speculate that we all passed through some sort of transition then—a portal to another reality, I guess you could call it. It's tempting to use such a device as an explanation of a sort for what we did next. But the truth, as it usually is, was much more banal. We did what we did because that's what kids did back then.

  I started to say something, even though I was somehow convinced that the leaden air would not convey my words. Before I could try, however, a voice shouted, “Hands up!"

  Now, this is the point. It was fantasy. Make-believe. And we knew that. But unless you can remember, really remember, those Bradbury days of childhood, the unspoken social norms that we all lived by then, the secret lives and inviolate rules that bound us as fully and completely as office politics and the laws of church and state circumscribed our parents’ lives—well, then I have no real hope of making you understand why we did what we did. It wasn't even something we thought about—we just did it. They had the drop on us, after all. They'd caught us, fair and square.

  So, all three of us dropped our toy guns and reached for the sky.

  "They” were four boys our age, armed with toy guns like ours. They'd come up on us from behind and nailed us good. The tallest one, a kid my age, was wearing bib overalls over a flannel shirt. There seemed to be something odd about his weapon—a carbine, with no manufacturer's stamp apparent—but it was obviously a toy. He gestured with the barrel, a peremptory jerk obviously intended to move us along, while the other three picked up our weapons.

  "Let's go,” he said. “Shag it."

  Arms still upraised, we stumbled along down the road, our captors herding us toward an unknown destination.

  Even though these lads represented “the Enemy” (Apaches, space aliens, Nazis, gangsters, the heathen Chinee or a hundred and one other incarnations of Bad Guys), there was nothing in our childhood rules of engagement that prohibited discourse. Consequently, Malcolm attempted conversation. “Where d'you guys go to school?” he asked. “I haven't seen you around—"

  "Quiet,” one of them, a tall fellow with hair as red as Malcolm's was black, and a face mottled with more freckles than the moon has craters, hissed. And yes, I know it's bad writing to use anything other than “said"—but you weren't there. Trust me; there was less humanity in that one word as spoken by him than there was in a snake's sibilance.

  We marched on in silence. And I started to wonder just how they'd managed to catch us so thoroughly off-guard. We'd been standing on the crest of a small hill; if they'd come along the road from either direction we'd have seen them, and there was no way they could've climbed up the side, through the dry creosote, without making enough noise to wake the dead.

  ...to wake the dead... There are certain phrases that we use a thousand times without thinking, until one day you realize just how hideously appropriate they are.

  We went around a bluff's shoulder, down a steep trail, and found ourselves in a high-walled ravine; almost a box canyon. A quarter of the way up the rear wall, at the top of a pile of talus, was what had once been the mouth of Arrowhead Cave. It was little more than a lacuna now, the dynamite having closed it off seventeen years ago. Two of our four captors urged us up the ten-foot slope.

  "Hey, guys?” The nasal quality of Malcolm's voice was rising, a sure barometer of anxiety. “It's gettin’ dark—my dad'll hide me if I miss dinner—"

  "Zip it,” one of them—short and rotund, with wire-rim specs—said. I got a good look at the clothes he was wearing as I passed him—knee pants and suspenders, a sweater and a flat, button-down cap. There was definitely something anachronistic about the apparel, but what really caught my eye was the toy gun he was brandishing. It was unlike any kids’ gun I'd ever seen, and after looking at it for a minute, I realized why. I didn't have the words to describe it at the time, but looking back on it, I realize it was made of stamped metal. It was black, with a red barrel, and on the butt was a stylized sketch of the Lone Ranger. A legend ran in curved script along the bottom of the image; I can't recall the exact phrase, but it was something about listening to Brace Beemer as the Lone Ranger, every Friday.

  Why “listen"? Why not “watch"? And who was Brace Beemer? Everyone knew the Lone Ranger was played by Clayton Moore.

  As big of a puzzle as that gun represented, however, the one held by the third boy was even more so. It, too, was made out of some material which I didn't immediately recognize. When I did realize what it was, it was enough to make me stop and stare, open-mouthed.

  His gun was made of cardboard.

  There was a slogan inscribed on the side of it, as well—I couldn't read all of it, because his hand partly obscured it. The part I could read proclaimed Geyser Flour to be “America's top self-rising flour!"

  The boy saw me staring at his paper gun. “Shut yer bazoo, yegg,” he instructed me, raising the toy as he did so.

  And a strange feeling possessed me; I suppose it made sense in light of later developments, but at the time it was as inexplicable as it was overwhelming. I was, abruptly and totally, terrified of that ridiculous cardboard gun. So terrified that I felt in danger of soiling my corduroys.

  He reached out and put a hand on my shoulder, pushing me up the slope, and his hand was cold. I could feel it through the fabric of my T-shirt.

  As we climbed the steep slope, I watched both of my comrades, and knew they'd come to the same conclusion I had about our captors. Tom's face was set in the utter blankness of denial, his gaze as uncomprehending as that of an abused animal. Malcolm's was a hundred and eighty degrees opposite, full of growing realization and horror.

  By the time the three of us had clambered up into the shallow remnant of the cave's former entrance, Malcolm had lost it. He was sobbing, babbling incoherently, snot drooling from his nose. I wasn't doing much better myself, but I at least managed to keep a somewhat braver face on. Tom seemed outwardly calm also, but his face was the same sallow hue as that of his prosthetic's plastic skin.

  We sat on the sandstone lip that hung above the declivity for what seemed like hours, but was in reality scarcely more than forty-five minutes; just long enough for the sun to disappear behind the western slope of the ravine. I watched our captors. I was only seven, and so I had no idea that all of them were dressed in Depression-era, poor white trash clothes, or that their toy weapons were relics of those same long-gone days. I only knew that there was something profoundly wrong about every aspect of them—even the way they moved, and sat, and talked amongst themselves.

  I say they talked, but, even though I could clearly see them address each other; could even, until the light faded too much, see their lips moving, I heard nothing. It was deathly quiet in the ravine—even Malcolm's crying had, for a time, subsided—and I knew that sound rose with
great clarity in still air. But it was like watching TV with the sound off.

  "Gh-ghosts,” Malcolm blubbered. “Th-they're ghosts. They were kuh-killed in the cave—"

  "Bullshit,” Tom muttered.

  "—twenty years ago—"

  "Stop it.” Tom's voice was level and icy, but it was thin ice, covering black depths of hysteria. He stood and faced Malcolm.

  Malcolm stood as well. “You know it's true! You nuh-know it's—"

  "Shut up."

  "Shouldn't've let ‘em get us, should've run, now they're gonna—"

  Tom hit him.

  It was a short, hard jab, brought up from his waist into the pit of Malcolm's stomach, and it let the air out of him like a nail in a tire. He stared at Tom in utter shock, mouth gaping, making vaguely piscine sounds.

  Then he turned, staggered toward the edge of the rocky shelf, and before either of us could try to stop him, he fell.

  He rolled down the declivity a few feet before he managed to stop himself. Then he looked up, and Tom and I both heard his moan of terror when he saw the four boys—or whatever they were—surrounding him. His face had been scratched during his fall, and a red streak of blood stood out vividly against his chalk-white skin.

  "Please,” I heard him say. “Please—I'm late for dinner—"

  And they laughed.

  I guess it was laughter, though it was the most mirthless, soulless sound I've ever heard. It was the sort of laughter something dead for a long time, long enough to completely forget any connection it had had with life, would make, if it were to somehow be amused.

  They laughed, and they moved closer to him. Malcolm made a high, keening noise, a sound of utter despair.

  Tom shouted, “You bastards! Leave him alone!” And he jumped off the ledge.

  I don't know what he thought he could possibly do. I doubt he thought about it at all. He just went to Malcolm's rescue—or tried to. He might have been successful, somehow, if he'd had two good legs. I don't know if he forgot that one was artificial, or if he just didn't care.